ACCEPT: Quality Video Footage Of Paris Concert From SABATON European Tour

Quality fan-filmed video footage of ACCEPT‘s January 16 performance at L’Olympia in Paris, France as the support act for SABATON can be seen below.

ACCEPT released a new live set titled “Restless And Live” on January 13 via Nuclear Blast. This package included the entire show ACCEPT played at 2015’s Bang Your Head!!! festival in Balingen, Germany on Blu-ray/DVD plus two CDs.

Asked why it’s so important for ACCEPT to still make new music after all this time, Wolf recently told Canadian rock journalist Mitch Lafon: “For us, it was very important, especially since we got [singer] Mark [Tornillo], and when we had our reunion with Mark, the new singer, we really wanted to show to the fans and to us that we still can write relevant new songs, and so that’s why we really did three albums in five or six years — really banged them out, one after the other. And those three albums are, in a lot of fans’ views, as strong as most of the stuff we’ve done in the eighties, if not stronger. So I think it’s very important for us to come up with new songs, ’cause, you know, once you stop trying, or you’re just living on the past, I think that’s no good. We’re trying to stay relevant, and the fans really appreciate that.”

Regarding what Mark Tornillo has added to ACCEPT‘s sound, Wolf said: “He very much inspired us to write songs, because all of a sudden, he can pretty much sing anything we want him to do. With Udo [Dirkschneider, former ACCEPT singer], it was much more limited, what worked and what didn’t work. And Mark, man, anything Peter [Baltes, bass] and I come up with, he can perform, and so that opened a lot of doors, musically, for us, and that inspired us totally. But, like I said before, we always try to stay close to what ACCEPT fans are wanting to hear from us, ’cause we could write a bunch of stuff that was left and right, genre-wise, but I’m not sure if fans would really appreciate it that much. And that’s also where [producer] Andy Sneap came in, especially during the ‘Blood Of The Nations’ [2010] recording. He really, sort of, forced us more to stay true to the course. ‘Cause he grew up being an ACCEPT fan and listening to the old albums, and he came in with an expectation, ‘All right, we’re gonna make a great new ACCEPT album, but it’d better sound like I want it to sound as an ACCEPT fan.'”