CRADLE OF FILTH: Behind-The-Scenes Footage From Making Of 'Right Wing Of The Garden Triptych' Video

Behind-the-scenes footage from the making of “Right Wing Of The Garden Triptych”, the new video from British extreme metallers CRADLE OF FILTH, can be seen below. The clip was directed by Sam Scott-Hunter (DEVILMENT, SLIPKNOT, THE 69 EYES), who also took the band’s promotional photos. As well as featuring Dani Filth and his troop of reprobates, model and Kinbaku enthusiast Gestalta also makes an appearance.

“Right Wing Of The Garden Triptych” is taken from CRADLE OF FILTH‘s eleventh studio album, “Hammer Of The Witches”, which will be released in July via Nuclear Blast.

Commented CRADLE OF FILTH frontman Dani Filth: “The video for ‘Right Wing Of The Garden Triptych’ was an immense thrill to film as it was undertaken in a jet-engine testing hangar at a former U.S. Military base close to my home town of Ipswich, followed by an equally surreal afternoon spent under the aerobatic flightpath of the Imperial War Museum. Directed by Sam Scott-Hunter, the video is a realised phantasmagoria of horror and hell-bound heartistry, fully encapsulating the beautality of the first single from ‘Hammer Of The Witches’, and if my flagrant play-on-words doesn’t pique your interest, then the fact that it features a renowned rope bondage queen and the band in full swing just possibly might.”

“Hammer Of The Witches” will be made available on jewel case CD, limited-edition digipak, mail-order edition and 2LP vinyl.

“Hammer Of The Witches” track listing:

01. Walpurgis Eve
02. Yours Immortally…
03. Enshrined In Crematoria
04. Deflowering The Maidenhead, Displeasuring The Goddess
05. Blackest Magick In Practice
06. The Monstrous Sabbat (Summoning The Coven)
07. Hammer Of The Witches
08. Right Wing Of The Garden Triptych
09. The Vampyre At My Side
10. Onward Christian Soldiers
11. Blooding The Hounds Of Hell

Limited-edition digipak cd and vinyl bonus tracks:

12. King Of The Woods
13. Misericord

Dani Filth states: “The artwork for ‘Hammer Of The Witches’ was created by Latvian artist Arthur Berzinsh and is a lavish walk-through of the lyricism, drawing on rich renaissance themes and displaying them in beautiful-yet-unsettling scenarios. Half of the detailed pieces are totally original for the release, others are Berzinsh classics cunningly tailored to the themes of the album, which are themes rife with heady witchcraft, be it persecution, retribution or unfettered spiritual liberation. The female form is rampant throughout the artwork, unashamedly displayed in its classical rendition of beauty… and horror.”

Arthur Berzinsh is best known for his defiant neo-symbolism raster graphics and oil paintings, postmodern interpretations of classic myths and refined hooliganism in the playground of contemporary art. He has been proclaimed as a “sacred monster of Latvian postmodernism.” And rightly so, his visually expressive and mannerly works tend to trigger emotions which can make thoughts fidget and wriggle, unable to find a comfortable position among the impressions gathered. His creative work is characterized by a varied range of voluptuous erotica, intensified imagery, dream-like scenes and decorativeness weighed down by visual metaphors and contrasts teetering on the edge of symbolism.

Arthur Berzinsh explains his artwork and concepts: “In terms of mood, I was looking for the inspiration of this set in the spirit of Faustian romanticism, the ambivalent art of renaissance that reanimated motives of pagan mythology after the Middle Ages, and, of course, the darkly beautiful and charming spirit of Goetia traditions that is filled with the atmosphere of hermetical rituals.

“My personal conceptual leitmotif that inspires me is a conflict between the free-thinking and totalitarianism, where the raw power always gains the upper hand over individualism.

“The act of art is a theurgical act that creates existence in the Platonic reality — reality of ideas. So, at least in this Platonic dimension let’s give the suppressed ones a chance to get their revenge.

“For me, the Goat of Mendes on the cover symbolizes the scapegoat who’s tired of his humiliating role and wants a payback. This character is an archetypical symbol of libido and other primordial forces and instinctive aspects of a human being. And these forces always have been a menace for those who want to reign over the others, like it’s schematically represented in George Orwell‘s ‘1984’.”

“Hammer Of The Witches” will mark the first release with CRADLE OF FILTH‘s new lineup, which includes new guitarists Ashok (of Czech groups ROOT and INNER FEAR) and Richard Shaw (of English acts EMPEROR CHUNG and NG26).

Dani Filth recently told Australia’s “Rabid Noise” podcast about the band’s upcoming album: “It’s sounding amazing. It’s gone back to the twin-guitar harmonies — very fast and ornate and atmospherically sppoky, but [with] lots of melody. I think it’s gonna surprise a lot of people.”

CRADLE OF FILTH is:

Dani Filth – Vocals
Richard Shaw – Guitar
Ashok – Guitar
Daniel Firth – Bass
Martin Skaroupka – Drums
Lindsay Schoolcraft – Keys, Female Vocals